I do not watch much television, as is evident by the fact that I actually refer to it as television instead of TV. Though seriously, I don’t watch it much, but I did watch “Lost” and enjoyed pretty much every minute of it, including the ending. I should probably be happy with my own satisfaction with the show and just let it be, because I doubt expressing an opinion on how the creators chose to end things, or not end them in a sense, will lead to anything good or pleasant or thoughtful landing in my inbox. And yet, here I go, into the brutally unforgiving fray of popular TV editorial writing:
The finale was a pretty good, if not perfect, ending to the story of Oceanic Flight 815. That’s the part that those of us who followed Lost for its mythology sometimes either forgot, or chose to partially ignore. The subject of the story wasn’t really the Island, or the Others, but the passengers of that flight and a few other characters that were inescapably swept up in the currents of their strange journey. Basically, we did not get all the answers to all things in that last two and a half hour marathon of commercial interruptions. What we got was the conclusion of the story that was really being told, for the most part. We know what ultimately happened to all the really attractive people anyway, and I’m sure that’s all that really counts in TV land.
I guess watching the show could be like watching a World War II movie that is about a particular squad of soldiers. The movie is about the squad’s struggles and triumphs within a much larger context, and the story can be successful and quite enjoyable without necessarily explaining much of anything about the war itself. One doesn’t really need to understand what political tensions and turmoil ultimately led a group of nations to go to war to understand why a particular soldier’s story of courage can be dramatic and inspiring. In other words, it’s ultimately about the characters, not the context, as long as the context is defined enough to present a general theme or background to support the story.
What the Island is, or perhaps more to the point what it represents, is its own rather huge context, as it seems to (possibly) represent some pure source of life, perhaps all life, or all energy on Earth (or clean burning fuel source that we could totally use to replace oil! or not). Let’s say that’s even half right, how then do you explain that kind of topic in a weekly Telly-vision program? Better to incorporate such grand themes into a story that is really about people and their struggles and choices and mistakes, which is something we can all relate to and understand – and a show that can actually have an ending. Better to not try and explain life, the universe and everything, which I think is where we would have been heading if an explanation of The Light had been forthcoming, because, well, we don’t actually have those answers. The guys who created Lost don’t have those answers. Do you have those answers? And if you shared them with the world would it be, in a sense, the ultimate way to cheat on the biggest test of all time (Life)? If you have them call me. I have money. Not a lot, but perhaps we can work something out. Would you like a free Z Fighter Alpha T- Shirt?
One of my earliest theories regarding the “secret of the island” was that the Monolith from 2001: A Space Odyssey would be found buried at the heart of the place. Didn’t pan out, but then half the reason I proposed the theory was as a way of saying it ultimately wouldn’t matter. Whatever it was it was going to be a symbol, but not the ultimate answer we were looking for, and are still looking for, as Losties and as humans and as tax payers. The Light, the Monolith, The Dark Tower, 7 x 9 = 42, etc. Why am I here (on the Island)? What is my purpose (on the Island)? I don’t think Jacob really knew, and the chick who smashed his mom’s head in didn’t really know either, except that they needed to keep the lights on all the time or something not good would go down (the power bill?). They were doing what they believed they had to do, as we all do. Just keep pressing the button Brotha. Apparently I believe I just have to keep writing this garbage.
Anyway, at least the James / Sawyer character managed to pull off the trifecta by sleeping with a brunette (Kate), blonde (Juliette) and a redhead (Charlotte) throughout the course of the series. Although does that last one count, given “Where” it took place? See, those are the sort of questions that should concern us, does a dude get points for scoring in the after life. Now that’s heavy stuff.
If I get to heaven as it is portrayed in Lost, who will my last big reunion be with before I “move on”? With my friends from high school (both of them)? With the people I once stood in line with at a concert? It won’t be me and a room full of Victoria’s Secret models…I may not have all the answers but I know that much is true.







